SHURE SHURE SM94

The MTP 440 DM is an exceptionally versatile, precision-engineered cardioid dynamic microphone ideally suited for upscale live sound and studio recording applications. Featuring a high-performance capsule which delivers a remarkably bright and lively sound, the MTP 440 is perfect for miking drums, percussion instruments, brasses, woodwinds, and vocals.

The MTP 440’s cardioid pattern ensures perfect off-axis rejection and exceptionally high gain before feedback. Unwanted reflections or background noise are effectively suppressed. High-quality components and rugged construction make it a number one choice for touring professionals and artists around the globe.

LCT 240 là micro thu âm condenser với hiệu suất cao, không bị biến dạng và âm thanh tự nhiên ấm áp. Với tự tiếng ồn rất thấp và dải động rộng đảm bảo tái tạo âm thanh chi tiết trong bất kì thiết lập. Được thiết kế để sử dụng trong các buổi biểu diễn trực tiếp cũng như ghi âm studio, LCT 240 sẽ để lại một ấn tượng lâu dài với người dùng mong đợi theo dõi âm thanh chính xác và không thay đổi trong giọng nói, giọng hát và nhạc cụ.

The LCT 450 steps up to the plate with the LCT 540’s capsule and thus features a natural, authentic sound with first-class transient response due to the ultra-thin, gold-layered, low-mass, 1-inch diaphragm, while its cardioid polar pattern ensures effective rear sound rejection both onstage and in the studio. It comes with two-step switchable pre-attenuation for an ear-splitting maximum SPL of 173 dB at 20 dB of attenuation. Two low-cut settings help to reduce unwanted low-frequency noise like wind, footsteps or the like.

Clever features known from flagships like the LCT 640 or LCT 940 are also onboard, including automatic attenuation and clipping history – as well as, of course, the illuminated user interface for quick and easy handling in dark environments. All this, combined with the brilliant, clear and authentic sound that characterizes our recording microphones, has been packed into our well-known LCT 240 housing to ensure that the LCT 450 isn’t too dominant as an onstage overhead; studio users, on the other hand, will appreciate the appealing look that reflects its professional inner workings.

In short: the LCT 450 has everything it needs and nothing more, so what you pay for is pure performance rather than gimmicks. The LCT 450 is LEWITT’s gateway to the world of large-membrane condenser microphones for everyone who’s looking for the best performance at an affordable price!

The LCT 550 is the first and only large-diaphragm studio microphone ever to achieve 0 dB (A) self-noise*. That makes it possible to capture even extremely weak signals with great precision and detail.

The Austrian-developed LCT 550 sets new standards in terms of more than just self-noise. A dynamic range of 140 dB (A) guarantees the best-possible results even in challenging settings. The three pre-attenuation levels (0 dB, -6 dB and -12 dB) increase maximum SPL to as high as 155 dB (A). The LCT 550 also offers a clipping history as well as an auto-attenuation mode that automatically switches to the next level of attenuation if the signal is too strong. For the elimination of structure-borne noise, there are two high-pass filters: 80Hz, 12dB/octave and 160Hz, 6dB/octave.

Manufacturing tolerances have been minimized thanks to highly precise calibration of the capsule and the electronics – which means that any two microphones from this series, set identically, will always form a matched pair at +/- 0 dB!

* 0dB-A electronics only, 3 dB (A) according to IEC 60268-1 due to Brownian motion (in simple terms: the sound caused by the movement of air molecules ...)

LEWITT’s LCT 640 is designed to raise the bar in its class of reference-quality large-diaphragm condenser microphones. This Austrian-designed and engineered pro-mic delivers a smooth, unsurpassably rich and exceptionally nuanced sound, and exhibits a remarkable set of qualities that enthuses even the most discerning users. The LCT 640 excels in a variety of demanding studio applications and stands for unrivalled performance in miking lead and background vocals, drums, percussion instruments, grand pianos, brass and woodwinds, classical music ensembles. In addition to the standard omni-directional, cardioid and figure-8 polar patterns, the LCT 640 offers a wide-cardioid and super-cardioid characteristic. It offers a dynamic range of 135 dB and stands out for its extremely low self-noise of 10 dB. In combination with a 4-level high-pass filter and 4-level switchable pre-attenuation, the LCT 640 provides maximum versatility in all recording situations. Automatic attenuation, key-lock, clipping history, push buttons and a light-up user interface round off the features of this outstanding microphone.

The LEWITT DGT 650 is a stereo USB recording solution and interface for PC, Mac and iOS devices in one. It features four recording modes starting with the XY Stereo Mode for live stereo recording. Cardioid Mode for vocal recordings and similar applications. In Singer/Songwriter Mode an acoustic and a line source - like vocals and a guitar - are recorded on separate tracks. The Stereo Line-In Mode is for capturing a stereo line signal like a synthesizer or mixing console stereo output. Furthermore MIDI is available also in all four modes.

24 bit / 96 kHz, 110 dB dynamic range, two step pre-attenuation and high pass filter lay the foundations for best-possible recordings. Asynchronous USB transfer, support of OS X Core Audio and ASIO for Windows, the option to crossfade between zero latency direct and minimum latency tape return monitoring and the built-in high impedance amplifier for studio headphones, ... all those features in one single device opens up a wide range of possible applications: recording vocals, instruments and live acts wherever you go, stereo miking, field recording, Podcasts and YouTube productions, just to name a view.

In short: the DGT 650 is more like your mobile recording studio than just a USB microphone.

LEWITT’s LCT 840 is a premium-class externally polarized dual-diaphragm tube microphone designed to excel in a variety of demanding applications. Equipped with a precision-engineered 1-inch capsule, the LCT 840 stands for exceptionally warm and classic, solid vintage sound. Perfectly suited for miking vocals and instruments, this rugged multi-purpose microphone allows for highly nuanced and authentic sound reproduction in the studio and even on stage. Five switchable polar patterns – omni-directional, cardioid, figure-8, wide-cardioid and super-cardioid – make the LCT 840 a highly versatile tool for professional audio engineers and performers looking for true and authentic tube sound. Like all LEWITT mics, the LCT 840 stands out for its extremely low self-noise of 9 dB and effective rejection of off-axis sounds. The microphone features three levels of attenuation and three switchable high-pass filters, LEDs and pushbuttons for noiseless handling on the power supply unit (PSU). LEWITT LCT 840 Apart from user-friendly operating controls and advanced technological features so essential to memorable recordings, the LCT 840 also makes an eye-catching design statement: The microphone is equipped with a plexiglass inspection window on the front side of the body, so the illuminated tube itself is fully exposed. The inside window surface is coated with a highly conductive, yet transparent film preventing electromagnetic interference. In short: The unique combination of innovative design, high-end technology and tube-typical sound quality ensures magic takes.

Sound professionals naturally rely on a set of different high-end microphones in order to get the best out of their sound. But changing microphones and adjusting settings takes valuable time, the creative flow of a session is interrupted. With its new Authentica series flagship LCT 940, LEWITT now introduces a microphone that will revolutionize modern studio recording procedures and help engineers and artists to react more quickly to a desired change of style and sound.

The LCT 940 combines the specific characteristics of a premium large-diaphragm FET condenser microphone and a top-notch tube microphone in one housing. Basically, users can choose between the two main settings "FET" and "Tube". These two signal paths have been incorporated separately and work independently of each other.

"Tube" delivers the classic, warm and rich tube sound, while "FET" stands for the clear, exceptionally rich and nuanced sound LEWITT condenser microphones are renowned for. However, the LCT 940 offers another unique feature that true recording enthusiasts will swoon over: As the characteristics of the two main settings can be mixed and merged continuously variable, the LCT 940 opens up huge creative possibilities for artists and producers.

Furthermore, the LCT 940 features a total of nine different polar patterns – our five "standard" polar patterns omni-directional, cardioid, figure-8, wide- and super-cardioid and four additional intermediate patterns. The microphone features four levels of attenuation and four switchable high-pass filters, LEDs and push buttons for noiseless handling on the PSU. Automatic attenuation and clipping history round off the outstanding feature list of the LCT 940.

Rich in advanced technological features, the LCT 940 opens up a new dimension of sound reproduction in demanding professional studio applications. Its unrivaled set of qualities makes this microphone a must-have for recording pros who strive for nothing less than perfection.

The DTP Beat Kit 6 is a conveniently packaged start-up selection of dynamic and condenser drum and percussion microphones and mounts, designed to offer performers and audio engineers of all experience levels everything needed for expert live sound reinforcement, home recording and studio recording.

The 6-piece drum kit includes one DTP 340 REX and three DTP 340 TT super-cardioid dynamic drum mics, two LCT 140 condenser mics, windshields and drum- and shock mounting systems, and comes in a convenient black aluminium carrying case. Thanks to carefully tailored frequency responses optimized for drum and percussion applications, as well as precision dynamic capsules and uniform directional pickup patterns ensuring high gain before feedback, the DTP 340 REX and the DTP 340 TT deliver fine-tuned drum sound with extraordinary detail and impact onstage and in the studio. LEWITT’s highly versatile and compact condenser all-rounder, the LCT 140, allows for accurate and clear sound capture of cymbals. Its transformerless design makes it immune to electromagnetic interference, and convenient LED displays and recessed slide switches make it a perfect fit for live applications.

The complete kit comes in a rugged aluminium case which allows for easy travel and secure storage.

The DTP Beat Kit Pro 7 is an elite full-spectrum drum set designed for an ever growing number of professional drummers and sound engineers looking for a high-performance all-rounder kit that allows for reproducing authentic, powerful sound full of detail in any setting. From upscale studio projects to big live acts, the DTP Beat Kit Pro 7 provides just the kind of reliable premium gear you need for a memorable performance.

This 7-piece pro-kit contains our drum mic masterpiece, the dual-element cardioid DTP 640 REX, three dynamic DTP 340 TT mics, two LCT 340 condenser mics and one cardioid dynamic MTP 440 DM mic, as well as a selection of shock and drum mounts. All these pro-quality, precision-engineered microphones feature a tailored frequency response designed specifically for miking drums, percussions and bass instruments. The complete package exhibits fantastic SPL handling and off-axis sound rejection, delivering remarkably bright, smooth and balanced sound-anytime, anywhere.

The complete kit comes in a rugged aluminium case which allows for easy travel and secure storage.

The LCT 140 is an extremely versatile, easy-to-use, compact 2/3-inch back-electret condenser microphone, perfectly suited for quality-conscious casual users. Its low-mass diaphragm delivers an exceptionally clear and natural sound, making it the perfect fit for a wide range of live and studio applications including drums and percussion, acoustic instruments or even vocal ensembles.

Thanks to its uniform cardioid pickup pattern that effectively suppresses off-axis sound, a wide dynamic range of 124 dB and its very low self-noise, the LCT 140 adds transparency and distortion-free detail to every sound recording. Its transformerless output design makes it immune to electromagnetic interference. The LED display can optionally be switched on and off for better handling in different environments. In short, the LCT 140 is an extremely versatile all-rounder microphone.

LEWITT’s LCT 340 is a 0.8-inch externally polarized condenser microphone that excels at capturing acoustic and percussion instruments, drums and vocals, and is perfectly suited for sophisticated live and studio applications. Two interchangeable capsules allow for quick and easy switching of patterns, ensuring greater flexibility without changing microphones.

The LCT 340 is equipped with four-position low-cut filter and pre-attenuation slide switches, dual-color LED indicators and a convenient snap closure. It offers a dynamic range of 124 dB and stands out for its extremely low self-noise of 15 dB. Last but not least, its transformerless output makes this ruggedly designed pro-mic resistant to electrical interference and a first-class pick for true sound enthusiasts.

Thanks to variably controlled dual element technology and fine tuned frequency responses, our flagship among drum microphones, the DTP 640 REX, offers unparalleled and powerful sound that will delight professional drummers and sound engineers alike. The DTP 640 REX is equipped with a high quality dynamic element and a condenser element – the dynamic element ensures accurate reproduction of the bass drum kick, while the condenser element optimally captures the rich low frequency sound of the drum’s shell. In order to guarantee full control over the two elements, they can be separately mixed on their own channels.

Since 2012, the DTP 640 REX offers two more features. The dynamic element emphasizes frequency ranges relevant for the kick drum in the ‘Dynamic Enhanced Frequency Response’ setting switchable right on the microphone, while the condenser element captures the sound neutrally. With ‘Dual Enhanced Frequency Response’, the character of the sound can be shaped even more individually – with this setting, the condenser element focuses on frequencies from 70 to 150 Hz and delivers a full body sound. The dynamic element provides the necessary power by focusing on the range between 3 and 5 kHz.

The combination of these features with the comprehensive tonal freedom of dual-element technology greatly increases the range of use, turning the DTP 640 REX into a universal tool for bass-heavy applications.

The ambitious DTP 340 REX developed for entry-level use and its upscale big brother designed for professional use, the DTP 640 REX, make the hearts of beat aficionados beat faster. Thanks to its cardioid polar pattern and customized frequency response, the dynamic DTP 340 REX offers everything you need to mic bass instruments: catchy, impressive sound and reliable performance on stage and in the studio.

Since 2012, the DTP 340 REX offers another innovative feature. In addition to the accustomed neutral and pure sound – developed for maximum application diversity –, the ‘Enhanced Frequency Response’ switchable right on the microphone will deliver an unbeatably impressive sound by emphasizing frequencies from 70-150 Hz and 3-5 kHz – especially optimized for use on kick drums.

Condenser shotgun microphone

Professional tube Microphone with Remote Control Unit